Embrilliance: Duplicating Simple Designs

Stitching multiples of the same file? Embrilliance can help!

Embrilliance is such an easy to use design editing program. When you are stitching more than one design, it can also save you time, effort, and stabilizer by combining designs in a larger hoop.


I am working on a project that requires as many as 8 of the same blocks. This block fits in a 150 x 240 hoop and I need two of them for the project. With Embrilliance, I can stitch them both in a larger hoop.
 

I change the hoop size (Edit, Preferences) to 200 x 360 ad open my design. Now, you can duplicate in several ways. One, is to click on the design to select, then copy and paste. 


The other is to use Instant Repeat (also found under the Utility menu). Since only two of these designs will fit in this hoop, I choose two across and one down.


Blocks then need spaced out a bit.

 

Looking at the Objects panel, you will see the color stops of your two designs. Stitch sequence 1:1 and 2:1 are the placement stitch for the batting/fabric, 1:2 and 2:2 are the tack down of the batting/fabric, and 1:3 and 2:3 are the quilting stipple stitches. That translates into six separate color stops.


Looking at the Properties color tab, you see all six colors. There are duplicates. Since each color is unique to itself, that is where color sort comes into play.


After Color Sort (Utility, Color Sort), the number of color stops are cut in half. Now, each set of color stops can be stitched at the same time.


Double placement stitches,


double tack-down stitches,

To Rip Or Not To Rip? By Eileen Roche

To Rip Or Not To Rip? By Eileen Roche

We are excited to have Eileen Roche, Editor of Designs in Machine Embroidery share this content with you, which was originally posted on Eileen’s Machine Embroidery Blog:  

Imperfect stitches happen, no matter how experienced you are. The more you stitch, the better you get. The more confidence you have, the more you trust your machine to produce professional results. Even so, not every project will be perfect.  You can stitch the same design 30 times and 28 of them will be spot on, but two may not be up to snuff. Is it the end of the world? Of course not, but it does beg to answer a serious question, “To rip or not too rip?”

Some rip out EVERY misaligned stitch while others shrug and move on. Here’s the criteria I apply on making this call: How bad is it?  Can it be easily corrected? Will the recipient even know if something is amiss?

How bad is it? On a scale of 1 to 5, is it glaringly noticeable?  That’s a 5.  Barely visible, that’s a 1.

Can it be easily corrected?  On a scale of 1 to 5, will the removal of 20-30 stitches fix the problem?  That’s a 1.  A 5 is when you must start over as the project cannot be salvaged (and really that’s a 10!).

Will the recipient even know something is amiss? If yes, that’s a 5, you must fix it.  If not at all, that’s a 1.

Recently, I stitched an applique name and everything started out smoothly.

But as I advanced to color 3, the satin outline of the first letter, something must have hit the hoop and the outline didn’t cover the tackdown.  Ugh!  

Immediately, I applied the 3 questions: How bad is it? It’s a 1 in my book because the tackdown and satin outline is the same color as the applique fabric and there’s a just a speck of background fabric peaking out.

Can it be easily corrected?  Since I didn’t notice the problem until the satin outline was complete, it’s a 4. That’s a lot of satin stitches to remove.   Plus, I was on a tight schedule so ‘easily corrected’ didn’t fit the time frame.

Will the recipient even know something was amiss? No, not this little angel. She’s only 5 and not an embroidery expert yet!  If this was for a customer, then yes, by all means, rip it out.

End result? I removed the visible tackdown stitches, moved on and completed the project. 

How about you? What’s your criteria for removing stitches?

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